Anagarika Munindra keeps popping into my head when practice feels too human, too messy, too full of doubts I don’t know how to shut up. The irony is that I never actually met Anagarika Munindra. Perhaps "irony" isn't the right word. I have no personal memory of sitting with him, listening to his speech, or seeing his famous pauses in person. Even so, he manifests as a quiet influence that surfaces whenever I feel exasperated with my internal dialogue. Typically in the late hours. Generally when I am exhausted. Usually when I’ve already decided meditation isn’t working today, or this week, or maybe ever.
The time is roughly 2 a.m., and the fan has resumed its irregular clicking. I neglected to repair it weeks back. There is a dull ache in my knee—nothing severe, but just enough to demand my attention. I am in a seated posture, though it's more of a discouraged slouch than a meditative one. My mind is cluttered with the usual noise: past recollections, future agendas, and random fragments of thought. Then I recall a detail about Munindra: he wasn't one to rush people or market enlightenment as some polished, epic adventure. He apparently laughed a lot. Like, actually laughed. That detail sticks with me more than any technique.
The Forgiving Presence in a World of Spiritual Performance
Vipassanā is frequently marketed as a highly precise instrument. "Observe this phenomenon. Note that state. Be precise. Never stop." And certainly, that is a valid aspect of the practice; I understand and respect that. But there are days when that whole vibe just makes me feel like I’m failing a test I didn’t sign up for. Like I’m supposed to be calmer, clearer, more something by now. The image of Munindra I carry in my mind feels entirely different. Softer. More forgiving. Not lazy, just human.
I reflect on his vast influence, which he achieved without ever seeking status. He guided Dipa Ma and indirectly influenced Goenka, among countless others. Despite this, he remained... ordinary? That term feels simultaneously inaccurate and perfect. He didn't make the practice about showmanship or force a mystical persona. He had no need to be "special." There was only awareness—a kind, gentle awareness directed even toward the unpleasant parts of the self.
Smiling at the Inner Struggle
During my walking practice earlier, I found myself genuinely irritated by read more a bird. Its constant noise was frustrating. I recognized the anger, and then felt angry at myself for having that reaction. It’s a classic cycle. For a moment, I tried to force a sense of "proper" mindfulness upon myself. Then I thought of Munindra again—or the concept of him smiling at the absurdity of this internal theatre. Not in a judgmental way, but just... witnessing it.
My back was sweaty. The floor felt colder than I expected. The breath flowed in and out, seemingly oblivious to my desire for progress. That’s what I constantly forget: the Dhamma doesn't need my "story" to function; it just proceeds. Munindra seemed to understand that deeply, without turning it into something cold or mechanical. A human consciousness, a human form, and a human mess. All of it is workable. All of it is worthy.
I certainly don't feel any sense of awakening as I write this. I feel tired. Slightly comforted. Slightly confused. The mind’s still jumping. I suspect the doubt will return when I wake up. I’ll probably want clearer signs, better progress, some proof I’m not wasting time. But for now, it is sufficient to recall that a man like Munindra lived, practiced this way, and maintained his human warmth.
The clicking fan, the painful knee, and the loud mind are all still here. And somehow, that is perfectly fine for now. It's not "fixed," but it's okay enough to just keep going, just one ordinary breath at a time, without any pretension.